Table of Contents

William Shakespeare’s Caliban and Margaret Atwood’s Surfacer: Survival Through the Third Space/Thing

Ali Emamipour 1-11

Tibetan Narrative in Howard Goldblatt’s Translation: From The Dust Settles to Red Poppies

Huang Li 12-23

The Hindu World of R. K. Narayan’s MR. Sampath

John Rothfork 24-37

The Mission of Research on Globalization and Comparative Literature

Li Weifang 38-44

Mulan in China and America: From Premodern to Modern

Qing Yang 45-59

The Concept of Literature of the Republic of China in Chinese Modern Literary History Studies: A Speech at Princeton University

Li Yi 60-72

Fantastic Time as Para-History: Spectrality and Historical Justice in Mo Yan’s Life and Death Are Wearing Me Out

Mengxing Fu 73-87

The Containment of Female Linguistic, Spatial, and Sexual Transgression in Arden of Faversham: A Contemporary Palestinian Reading

Bilal Tawfiq Hamamra 88-100

Sexual ambiguity in Everything I Never Told You

Yihang Ma

Pages: 101-109

Post-sixties Narratives in Contemporary American Cultural Criticism

Lin Xiang 110-123

Love Cannot Be Forgotten: Women and Nation in Post-Mao Cinema

Lidan Hu 124-134

Deviation and Restoration of Mundaneness and Mythological Nature in Chinese Cinema—Evolution of Chinese Directors of Different Generations over the Past Forty Years after the Reform and Opening-up Policy

Junbing Cao 135-150

Studies on 20th Century Western and Vietnamese Theories of Literary Criticism

Viet Hoan Ngo 151-165